Tag Archives: grace

Much of May

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May has been much, much, much at school and I am grateful for it. 

I’ve struggled to understand my students in this first year back teaching. They feel not only inherently different from the students I used to teach, but inherently different from me. It takes me longer to really see them than it used to. In the last few months I’ve taken to reminding myself that the world in which they’re coming of age is quite different than the one in which I was fifteen and seventeen. History—the kind that will be written in books—has happened in the meantime and their perceptions of life and fairness and value and the way things should be are sometimes alien to me. 

I’ve cared for them and enjoyed them, but I’ve felt a gulf between us, a gulf which not only seems difficult to cross, but which I haven’t been entirely sure that I want to. I’ve sometimes fallen into annoyance and frustration rather than choosing the patience required by love.

But May has been a slow pulling together of the pieces. I gave a talk in chapel in which I was honest because that is the way I know how to be. My little all-boy class held an NFL-style draft for which elderly residents at the nursing home they’d be matched up with before we embarked on an interview project. The school launched a house system, my freshmen drew the nine circles of Dante’s hell, and some of the boys in my AP class performed “Man of Constant Sorrow” for me for extra credit. And student after anxious student recited Psalm 90, eyes boring into the carpet, then glancing up to me for reassurance. 

All these things have been tackle ropes thrown across that gulf, hooking into the soft flesh beneath my armor and tugging the cliff of me and the cliff of my students nearer to one another, inch by definite inch. 

I’ve had proper sit down conversations with a few kids this week, some of whom I haven’t even taught yet, and have been struck by the individual complexity and openness of their questions, how good it is to laugh with them. I now find myself wanting to feel gently towards them. I want to see their humanness, the lines around their eyes that Graham Greene talks about in The Power and the Glory. When I watch them stumble, I want to choose grief over irritation, love over easy dismissal.

And last week I wandered around a secret place on campus, a place on which for the last twenty years most graduating seniors have had the chance to make their mark. My own seventeen-year-old self is there with my classmates, as well as the upperclassmen I was once awestruck by and many of the boisterous kids I taught myself, all of us immortalized at that odd and painful wonder of a moment, on the cusp of we-knew-not-what.

So many things were felt in that place and then pressed into it in felt-tipped marker with immediate eagerness: joy, confidence, cynicism, vulgarity, wisdom, wildness, complacence, nostalgia. And every feeling expressed by those youthful hearts and hands, from before me all the way to after, promises loudly in that place to last forever. In the deep convictions of our emotions, we did not, a single one of us, really understand how much we would change. We considered our words to be final. 

There was an extremity in our certainty, in our hope, in all our desires which demanded fulfillment in permanent ink. And God at all times and in all moments stood watching us in that place, a resounding magnetic force, drawing the true desire rooted deep in each of us toward his center. 

So here I am, tired and content on a Friday after oral exams, digesting the assurance that my world is not so distanced from that of my students as I thought. The cacophony of the teenage years, its extremity, its color, the rawness of its desire for more and better has always been and will always be. May is much, much, much, and so are they.

A Writer’s Retreat

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While I was at Regent I got in the habit of telling people to go on writer’s retreats. A friend would be talking about struggles with focus and confidence in their work, and I would announce to them with great authority that this was the solution to their problems. So they’d go and book a place for a couple days away on one of the islands and come back to me just raving and glad I recommended it to them, because they’d gotten so much done and felt so much better about where their project was headed. I mean, maybe I exaggerate their joy and gratitude, but as someone who rarely takes others’ advice, no matter how thoughtful, I was always caught off guard that they had taken mine and somehow it had actually worked out for them. And maybe I also felt odd about it because I’d never actually gone on a writer’s retreat myself—in that all alone, book-a-place-just-to-go-away-and-focus kind of way.

So anyway, I’m here to announce that I finally have, because we’ve been on winter break and I had a long weekend. I got a room at a historic inn just down the road from Saxapahaw which is ostensibly a town, but mostly consists of a little strip of shops for bougie farm-to-table country people who want to buy home-made soap and craft beer from a “five star gas station” and have bumper stickers that say things like “Manifest that Shit.” It’s good for a day out.

And my place was nice. The grounds were big, with uncertain paths wending their way through something like woodland. I wished I had a map (mostly because I like maps), but didn’t mind scrambling and wandering. I almost never do. It was still and calm as all get-out there except for the sounds of passing cars and daffodils growing, but there was a big brick-pavered front porch which would have glowed all lit-up for a party.

My first day I napped a lot and took two baths. I was coming in so tired, more tired than was optimal, really. I lay and listened to the sound of the road from my bed, waiting for my brain to slow its spinning gears and stop shooting shards of metal off every which way. And then I wrote, because the act of writing can help to order disparate pieces. It is so often like sliding beads onto a string: building up one tentative idea on another, warm and hopeful.

I’m just cracking my way into something long and non-fiction, so the notes I was making were about my own life, from childhood on. I was using what already existed to tell the truth. Instead of having to manifest the facts out of thin air, like with a novel, I had them already growing fertile in my own memory. And I was shocked to find, as I kept going and going, how much life I’ve lived in just thirty years.

I don’t think I’m a special case. I think everyone lives a lot of life. And to marshal so much of it together onto a page into some sort of order, to run your fingers over all its silver threads of meaning which connect one thing to the next to the next, is a real marvel. Not everything that has happened to me has been good, yet even the pains contribute to the great abundance of my experience, experience which has all been grace, every bit of it. I’d forgotten that writing was such an exercise in gratitude. Perhaps this is what those Regent friends were responding to when they came home from their own retreats all lit up.

On Saturday night I took myself to dinner in Saxapahaw. I’d made myself a reservation for one, which felt weird but good, and as I drove, I watched the last remnants of the sunset still leaking out over the horizon, like the celestial clean-up crew had yet to finish their job for the evening. I searched for the color of the sky where the blue and orange met. I wanted to know what that color was. It remained a mystery to me even though it was right in front of my eyes.

I ate alone under soft lighting, and imagining how I must look flattered my vanity, but much more than that, I liked being around people for the first time in days. It was an upscale pub populated by friendly waitstaff, families and groups of friends eating together, people who leaned toward each other comfortably as they talked. I journaled and ate stew and key lime pie and drank wine and just sat. It was my great joy to be quiet in the midst of noise.

In Spite of Our Grief

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My mind has been on my students more than usual recently. Not any kid in particular, just all their half-grown faces. I frequently wonder if they know just how very much is written in their eyes, loud and legible. I see openness and stone walls, loneliness and love, innocence and disillusionment, cruelty and raw compassion, things that make me fear for them and things that make me hope—a dozen absolute contradictions bundled in every glance. They walk around bristling with them.

Recently I was reading the story of Jacob in Genesis and I was struck by the way he too is a whole sharp passel of things that should not be able to exist together: the desire to win, the desire to be loved, brazenness, fear, deceit, remorse, anger, wanderlust. And he was a very long time ago.

This tugging, ripping tension existed then and it exists now, in adults as well as adolescents. Really, I think we never grow out of it at all. And the fact of the matter is that the unwieldiness of these contradictions in ourselves and in others is too much at times, falls unevenly on shoulders which are—in their humanness—fundamentally too weak to bear it, pushing us down into the mud. When I think back over the last couple weeks I can see griefs of contradiction at church, at work, in my own sodden heart and in the hearts of those around me, contradictions which break our molds of understanding, which come near to breaking us.

No wonder my students’ swagger sometimes goes a little crooked like there’s a heavyweight boxing match happening in the space between their collarbones. We’re all left wading through the sludge.

But how? How do we get through?

Well, I’m only guessing, but I think what you do is read The Velveteen Rabbit to your sad freshmen, tear pages out of books to decorate a bulletin board, keep an eye out for the kids looking for a place to sit, cover your friends’ classes, make dinner plans for next week, teach when you’ve lost your voice, and go home with your hands in the pockets of your coat and take a nap in your big chair. You take a long walk with unwashed hair and then make shepherd’s pie and listen to Mark Heard sing about how Jesus “looks at their faces and loves them in spite of his grief.” 

Because we do not struggle through the mud alone. The Lord knows all about contradiction. He allows it, and he himself has lived it. We do not need to force ourselves to master grief and love together perfectly, because he already has. Instead, what we must do is mark each fight, each unknowable contradictory struggle, with an ebenezer monument which proclaims: Here I have wrestled. And here God promised to prevail, against even the flailing labyrinthine darkness of the human soul.

For the Brave and the Steadfast

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I am, in essence, a be-er. I’ve been around the sun enough times by now that I know this about myself. My initial impulse is always to stay home, to say no, to plant myself on the sidelines, to wait and see how the thing plays out, thank you very much. When I dream of the future, more and more frequently I just think of Yeats’ poem “Isle of Innisfree” where peace comes dropping slow and evening’s full of the linnets’ wings.

I leave the pushing and the challenging and raising of voices loud enough to be heard even by those who don’t want to hear them to the fighters of the world. They can have that, I think. I’m not built for that, and I don’t want it.

But in the last month I had a large and sticky situation rise up. It was clear to anyone with two eyes in their head that without my asking this thing had fallen directly in my lap. And as I sat there for a few weeks with it heaving great shuddery, mucus-y breaths on my knees and occasionally baring its teeth, I understood that I needed to do what I never do—I needed to fight. I needed to take a few good swings and risk missing. I stood up, wiped the slime off my skirt and had a series of hard conversations where I pushed and I pushed. It wore me all out. So when I was certain that what I had to say had been heard, I retreated safely to my Innisfree to sleep and sleep the whole thing off. I went back to being the self I knew.

This is not the first time in my adult life I’ve chosen to get up and walk against the current. I’ve done it here and there before, but I can only exist in resistance for so long. I am not one of the perpetually brave. I soon run back to the hollowed hands which say, “The Lord will fight for you, you must only be still.”

And I don’t think I’m wrong, not really. Jesus didn’t spend most of his earthly life picking fights. In fact, he spent decades of it just making tables and eating with his family and praying and following the seasons round and round in their rotation. But when the fights came, the moments to push landed in his lap, he took them. And he fought in all the ways no one expected him to, all the way up a hill, onto a tree, and back down again.

So I think God’s world has a place, an important place, for both the fighters and the be-ers, the brave and the steadfast. But as I have been thinking about all this in the past few weeks, there are a few things the contemplative watchers–like me and maybe you–must remember.

Peace is not dead space. It requires cultivating, which, in fact, is a fight of its own kind. Even Yeats’ island retreat has nine neat bean rows. In peace, we must teach stubborn soil to grow, both the soil of the earth and the soil of our “great sloth hearts.” While we stay at home, we must paint beautiful colors loud and bake good bread and sing with all our might and dole out glasses of cool water. When I sit on the sidelines avoiding the tumult of grit and sweat and uncertainty, and pull out my journal to write a few disjointed words, I must not leave them there to shrivel on the page. I must take them home and add more to them and more, till at last they join up properly and I have made something I can call good. 

If I was formed, as I believe I was, to plant my feet deep but send my words out like lines, to pour my overripe little heart out onto a page from the peanut gallery, if writing is indeed part of my being, then my peace-time, my bee-loud glade, should be full of written words. If I’m not out fighting demons, I should be home with a pen in my hand, teaching castles to rise from stone.

A Weekend

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On Friday night I went to a big basketball game in the Caldwell gym. I’d forgotten how those things go to the core of me—the rumble of the crowd and its rising yells, the sharpness of the whistle and the basketball shoes squeaking on the floor, the smell of popcorn and heat and the hundreds of faces and the youth and intensity of it all and the sound of the buzzer. But most, I am taken by those kids on the court who struggle and slouch in my class, but who spring and leap and even fly with a ball in their hands. I’d forgotten how moved I am watching my students do what matters to them. I like to see them capable and eager and playing confidently to a packed house—it’s fuller than the version of them I usually get. I like being reminded. (I also like it when we win, which we did.)

Then yesterday afternoon I went to Walmart, which is notorious as place where one can observe a subset of humans who seem unable to fit into their clothes, read a price sticker, wash themselves, or exist appropriately within the world (or so that blog that used to circulate, “The People of Walmart,” would have us believe.) But as I navigated past little befuddled-looking family clumps in the home goods aisles on my way to buy curtain rods, we spoke gently and politely to one another, squeezing our carts through, despite the blasphemy of our ill-fitting sweats and unkempt hair. And I thought to myself—”We’re all the people of Walmart on the inside, aren’t we?” I mostly thought it because it made me laugh, but it’s softened my vision ever since. 

And then last night I went to the homecoming dance for a bit. I pinned my hair up like I used to do in college and wore my charity shop coat. We ended up having to turn off nearly all the lights to get the kids to actually dance, because with them on they just milled awkwardly in groups. But in the dimness, they finally loosened up and cheered and jumped and acted like teenagers. We threw glow sticks down on them during “Party Rock,” and they lost their minds as we intended. I got out there and danced a little with a few of the other teachers. I felt full. I turned to Leslie at one point and said, “You know, in high school, I would have been glued to a chair at something like this.” A student cheekily asked me earlier in the week if everything good happens before you’re twenty-five, but I’ve rarely been more glad to be thirty and not sixteen. If only they knew.

I’m grateful that things are not always as they seem they ought to be, grateful that I am frequently wrong, grateful that God comes riding in on his donkey with his bruisable body and his broken bread and his empty tomb and says, “No, actually, child, it’s entirely different than that.”

A Fall Teaching Entry

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Here’s a thing I’d forgotten about my job before I came back to it. As much as I aspire to be (and usually am) in control of my classroom, hiding in its corners and quiet moments are delights and strange kernels of time which I could never plan, could never make, can only notice if I’m looking at them in just the right slant of light. They’re the oddities, the unclassifiable outliers, the secret gifts of teaching.

For example:

-The moment when we read Blake’s “I Saw a Chapel” and my group of boys actually listened to it. I asked them what they thought, and one of them said, “It’s weird.” I smiled because he meant it and also because he was right.

-Students who come and sit on my tall, soft stool to spin idly round on it between class times, sometimes to talk to me but more often to talk to each other. Sometimes I tell them to get off, but then bite my tongue and wish I hadn’t.

-How I passed out “Dream of the Rood” in translation from the Old English and had them read it in pairs with no outside guidance then watched, touched, as they drew bright pictures of the paradox of Christ’s cross, encrusted in both blood and jewels.

-The afternoon a junior came in and as he passed my desk ran his fingers absently over a turtle candle-holder I keep there, a gift from a student my first year. That turtle is even more beloved than it once was for having come such a long way.

-The map of Huck and Jim’s journey carefully traced onto butcher paper on my back wall, with a bright orange carrot drawn next to Cairo, IL, because the artist thought Cairo looked like “carrot” which it definitely doesn’t. 

-The desire to laugh and cry and burst with pride at the absurdity of it all while listening to a roomful of fourteen-year-olds stumbling in unison through the opening lines of The Canterbury Tales: “Whan that Aprille with his shoures soote, the droghte of March hathe perced to the roote…”

-Two boys who spent their mid-morning break in my room with heads down on the desks, covered by sweatshirt hoods, sleeping slumped right up against each other’s shoulders.

The thing is, the end of the first quarter has come, and with it, the love has hit. I hadn’t forgotten that the love for my students would come, but I’d forgotten the force with which this seemingly mild affection would barrel into my chest. This love, this concern for adolescent welfare, this enjoyment of the utter weirdness of their particular youth expands me and makes me grateful for things well outside its scope. I am grateful this week for voice messages, for Little Free Libraries, for Peter, Paul, and Mary, for counters to sit on, for crockpots and for sidewalks. I am grateful for that which gets us from place: for conversations, for seasons, for weeks and weekends, for growth which comes step by unusual step.

Acorns and Where I’m At

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Fall break is over and I spent most of its four sunny days curled in various corners of my apartment as acorns from the trees above pattered onto my roof. The first time I heard the sound a couple weeks ago, it gave me pause. I wondered if something had fallen out of a cabinet or if it was raining or if someone was unlocking my back door or if the world was ending. Any option seemed plausible. But no, it was just acorns, cascading down like manna. 

I’ve felt tenuous the last few days, crying easily. So I’m going to scrape out the corners of my heart onto this page a bit and see if that helps. Bear witness if you’d like.

Last winter was very, very hard. I didn’t say so to many people, but it was. Sometime at the end of November (or maybe at the beginning of December?) life gave me one little nudge and I absolutely crumbled. For weeks and weeks I wept driving to work and back and listened to my heart thud in my ears as I tried to sleep each night. My thoughts were hostile, constant companions, barely letting prayer through their iron bars.

In March a kind friend convinced me to see a doctor, and slowly, like the sun coming up in the cold, I began to feel better. I got on medication and God was gracious in other ways as well. I am beginning to see how throughout the later spring and the summer he gave and he gave and he gave, lavishing healing on fields I had allowed to lie fallow for years. He writes strange and perfect stories.

I’m grateful for all that bounty, the relationships put right and bitterness turned sweet on my tongue. But in the last few days I’m beginning to understand that though he meant those good gifts—oh, he meant them as declarations of love and I must consume them as such—this healing was also a clearing of the decks. Because the humiliating pain which revealed itself by ripping through my gut in a streak of depression a year ago still lives, and it must be dealt with.

You probably have something like this yourself, the spot so tender you’ll calcify your heart to protect it, the thing you fear so much that you’ll build walls out of whatever is nearest at hand just to avoid looking it in the eye.

For me that thing is that many days I find it very hard to believe that Jesus loves me, that he finds value in me. I want to do the math, find the answer for how this could be, but when I figure the equation for myself, my own worth always works out to be nil. I’m baffled at how all his big promises and slow gentlenesses could possibly be intended for me. And often I end up sinking into little puddles of self-hatred rather than face the great salty waves of love.

So that’s me.

But like I said, the decks are clear now. That soft spot has been in the open air recently. At school I keep weeping in chapel programs meant for our teenagers, but which leave me frustrated and raw.

And the acorns keep falling, coming down in rivulets and storms onto all this churned-up, bare soil of my heart. The other day there was a great gust of wind while I sat in my big chair in my living room and they came pouring down for nearly a minute, as if all the acorns in the world had gathered in one tree to lavish themselves on my little house, a million and one declarations of love, demanding to be heard.

Anyway, the seasons are changing, softly, surely.

The Lines Love Comes By

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A couple weeks ago I had a training course via zoom for teaching AP Lit. After it was over, I went out to my car barefoot with just my license and my keys and drove to my parents’ where I retrieved sandpaper, a stud-finder, and two containers of my mom’s gumbo. It was a warm, thick Carolina night, just the kind I’d missed deep in my bones for the last four years, and when I got home and climbed out of my car I could hear the rhythms of a drumset echoing through the trees. The sound came from a house I could not see, hands I did not know holding the sticks. I stood there for a few beats, listening, grasping the moment against my chest—as you do—my hands full of odds and ends and the gravel of the back drive biting into my soles. Then I went inside.

I’m happier to be back teaching than I knew I would be. I’m happy to have kids back in my classroom, I’m happy to be talking about books I love all day long, and to be doing it in a place which, despite the ebb and flow of time, is still very much home. Yet I can feel myself already sinking into the mire I often felt stuck in four years ago—the mire where my job is my whole existence. To have only my job as an outlet, even for just a month, feels as if I’m funneling my entire self through a few very small holes. I’m antsy. I need a place in my life where I can bust through a dam. 

Maybe I can blame it on that moment when I heard those drum beats coming through the woods. Maybe it was putting up a gallery wall in my hallway yesterday with all the pictures of my child self wrapping her arms around people I love. Maybe it was the sound of the kids next door screaming and laughing and the smell of woodsmoke as their parents burnt scraps from their deck remodel. Maybe it’s been a million different things at once.

In fact, I think a part of the reason I feel the need for a channel beyond teaching is because of the bounty of teaching itself. When students come into my classroom they bring a messy stew of energy with them—happy energy, angry energy, anxious energy, hopeful energy. And then I get up and I try to explain to them why Anglo-Saxon poetry runs soul deep or how the source of Jane Eyre’s self-worth is the gospel and that this is why she has the capacity to forgive the way she does, and I watch bewilderment and understanding flicker intermittently through their eyes. I’m consistently amazed at how close observation, when I am willing to make it habitual, generates deep, rooted love. I come home nearly every day all full up not only of my own feeling, but also theirs. 

So I am brimful and I need another place to toss my words out like lines. There is so much to say, and, unsurprisingly, writing is my first port of call.

But recently with writing, I haven’t been sure where to begin. In fact, about a week ago, I made a list of writing projects I could be working on and there were about eight of them, none standing out to me any more than the others. So I put aside the list with vague despair. And then as I was cleaning up my living room one night before a friend came over, I remembered what pulled me into my last novel not only at the beginning, but what kept tugging and tugging and led me all the way through to the end. I was writing to the point where Jesus showed up. The beginning of the story was a promise and I was writing my way toward the fulfillment. His love pulled me on and on.

This is what all those moments I’ve been momentarily clutching to my chest have in common. Those pictures on my wall are a promise, the heady scent of wood smoke is a promise, the storms and sparks in my students’ eyes are a promise, and so, too, is that cadence of drums in the night air. They are all signs of goodness, declarations of God’s intention to fulfill what he has pronounced.

So as I stood there on the braided rug of my living room, three books tucked under my arm to shelve and a glass to put in the sink, I knew. I knew at once that I need to pick the project with that promise at its heart. I need to pick the thing that will have me write my way along some winding path to incarnate hope. I need to toss my line out in the direction of Christ, over and over, so that he may grasp it, and draw me closer in.

So, without even looking back at my list, I know which line I’m tossing. And I’m very excited.

Good Yeast of Spirit

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I’m finishing up a week at a writers’ retreat in a little town in Kentucky. There’s been a lot of bourbon and wine and a lot of lean-in-on-the-arm-of-your-chair-laughing conversations, a lot of tears and a lot of blue sky.

Yesterday we toured a distillery and one of the first places they took us was a room lined with vats each as big as my kitchen, all full of caramelly brown yeast eating away at the sugars in corn—bubbling, swirling froth. The tour guide invited us to reach down into one of them. The air above was warm with steam, but the liquid I brought to my mouth on my finger was cool and soft and sweet.  Some exchange of life was happening between the air and the liquor and I couldn’t understand it.

This evening I fly back to Greensboro and then on Wednesday I’ll be teaching again for the first time in four years. In four days there’ll be kids in my classroom and I’ll be back up front doing that writing-in-real-time thing of communicating to a live, volatile audience. It seems surreal.

Then I’ll come home at the end of each day to my new place that’s all my own, my place that has a sunny upstairs second bedroom. Soon I’ll get a bed for it and then I’ll be holding a place for others, a place with a chair and bed and two windows and boxes of books that have yet to be unpacked. All on a quiet street under the trees.

And a couple evenings a week when I come home—I’m saying this now so that somebody hears me—I will write, curled up in an alcove with a window. I may come back to more revisions on this novel, I may write some poetry, and I may take a stab at long-form creative non-fiction. In fact, I may try them all at once, switching from one to the next to the next because variety is good for the soul. It wakes you up.

The point is this. I’ve felt just about every way I possibly can about my writing in the past week, but the ultimate truth that has sifted down into my gut through all my tumult is that I must keep at it, even if I’m “planting the crop I will not live to harvest,” a crop stored in barrels for years to come. So I’ll gladly pay teaching the mental, emotional tax it demands, but I’ll also guard that home writing alcove ferociously. I’ll continue to sit down with a blank page and reach out a hand through the mist of words to the meaning. I won’t understand it, but some exchange of life will be happening.

Homing

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My dad writes poems for birthdays, so I have a box full of cards with lines of rhythmic verse in his ballpoint pen. And I’m not sure if he knows this, because he doesn’t save copies for himself, but more than one of them from the last few years is called “Homing.” Apparently, for him, coming back home, finding my way from a distance, is one of the repeated themes of my life. 

He’s not wrong. As of yesterday, I’m back in Greensboro for good and all (at least as far as I know.) I’ll be teaching in a classroom down the hall from my old one and living in a place down the street from my parents. I know that many blessings have fallen into my lap, but despite my usual grandiose tendencies for meditating on place and space during a transition, that hasn’t seemed like the important thing. What’s seemed like the important thing, what I’ve been thinking about more than ever as I’ve moved, is just human relationship. 

Three times in the last couple months I’ve cried when saying goodbye. I never used to do this. I used to do my stoic midwestern roots proud and wave people off cheerfully and go on with my day. No longer. I’ve grown sentimental and gooey in my old age—tearing up and hugging extra tight, trying in vain to stuff down the unseemly rip of grief in my chest.

That’s one explanation at least, but as plausible as it is, I rather suspect the larger thing that’s happening is that I’m coming to understand what we all are to each other. I’m coming to understand that when you know someone for a long time or a short time or any time at all, the friction of the contact, of the bumping up against one another’s shell, wears away at the hard edges. And more quickly than we know, we carve out space in each other—I in you and you in me. We do this over and over, at every turn of our lives. 

Sometimes the process can be painful and sharp, but eventually—in the best relationships—these carved-out spaces become soft, welcoming, just the right shape. Eventually, each person you’ve been close to carries always with them a brief home for you to come to. Because even though they can be hard to access at times, these holes we wear into each other never really go away. And so the more people we meet, the more we love and are loved, the more we’re likely to end up walking around like Swiss cheese people, full of holes just the right shape for people out there who in turn bear the shape of home for us.

Anyway, that’s what I’ve been mourning in those leavings, I think. I’ve been mourning those homes cleft in friends that they carry away with them as we part–the comfort and the goodness. But I don’t “grieve without hope.” I’m well-practiced at homing. I always find my way back.