America So Far

A week ago I pulled away for the final time from the townhouse in Vancouver that was my home for three years, just a little teary. I turned on the radio to distract myself from what was happening and “Another One Bites the Dust” blared at me out of the speakers. So then I laughed most of the way to Oak Street. Thank God for absurdity.

It was a warm, sunny day and my housemate had sent me on my way with a container of homemade cookies, two of which she’d carefully shaped like hearts. When I came through the U.S. border after a line-up of two cars and one woman on foot, the agent told me “welcome home,” and I felt warm, because there is no better phrase in the English language, but I also felt sad thinking of everything that was now at my back. 

I spent the day driving through cities, and finishing listening to Where the Crawdads Sing, which I started on audiobook ages ago. The Seattle skyline was showing off in the blue and the sunlight, and by the time I got down to Portland it was one hundred degrees. Hallelujah and bring on the heat! Welcome home, indeed. 

I stayed the night in a little AirBnB airstream trailer in Eugene, Oregon, which was very hippy and very relaxed and reminded me just how buttoned up and bougie the West Side of Vancouver really is. I walked to the grocery store a few blocks away and liked seeing weeds growing in the cracks of sidewalks, and barefoot tattooed folks waving to me as they watered their front yards in the evening light. The cashier, who was inexplicably wearing a black wool scarf as a face mask in ninety degree heat, was friendly and chatty and asked what I was up to later. I told him that I’d been driving all day so my plan was to collapse, then realized that he now knew I was travelling and probably had enough context to look down at the three items he’d just bagged for me and know they would comprise tonight’s dinner and tomorrow’s breakfast. This felt strangely vulnerable and I escaped self-consciously back out into the warmth of the evening.

My second day I kept driving south. In retrospect, I could have taken I-5 down to Tahoe that day. It would have taken longer, but I could have done it. However, I took a more direct route, on a patchwork of state highways and byways and roads that were merely roads. Much of it was through National Parks at the beginning, marked by the familiar wooden signs with yellow lettering. I stopped at a little espresso stand in Willamette National Forest for a coffee and the woman there called me sweetheart, which is almost as good as “welcome home.” My check engine light came on right before I crossed into California and I pulled over in what I knew would be one of the last towns for a long while, and a man at the auto shop kindly checked it for free, said I would be fine for now, and sent me on my way. 

From there on out it was vast valleys nestled in rocky ranges, sparse forest, and great shining, still mountain lakes, for hours and hours. My housemates and I had watched Nomadland the night before I left Vancouver and now I thought of it frequently. There was often not a shoulder to the road, rarely another car, and the sun continued hot, making heat waves on the pavement, a shimmering landscape of blue and green and black and grey and dusty orange. I ignored my back that ached from sitting, listened to an audiobook of Anne of Green Gables, stared at the miles of stunning wilderness, and cried harder than seemed reasonable when Matthew Cuthbert died. Signs warning that this was fire country flicked past me, and once I started, thinking there were flames rushing behind me, but it was only the bright yellow line of the road. I was more anxious than I realized. Between Eugene and Reno I went through maybe six towns in the course of about 400 miles. 

By dinner time I had come down the incline into the Lake Tahoe basin, my place of port for a few weeks. I had dinner with my granddad and his wife, then walked the few blocks back to the little family cabin off Ski Run where I’m staying. I took a bath, fell into bed, and wondered what I had done.

I’ll be in Tahoe till late June, then my brother will meet me and we’ll do the cross-country drive at a leisurely pace, staying with family most of the way. I’ll spend July mainly in Greensboro, and then after a friend’s wedding at the beginning of August, I’ll drive north to Madison, Wisconsin, where I’ll move into some friends’ basement, look for work that pays a decent wage so I can work on paying off loans, and settle in to finish revising this novel and looking for an agent in earnest. And that’s it, that’s the whole plan. I’m living very skint and a little rootless for the foreseeable. And I have only the vaguest idea of what comes after.

As I’ve concocted these plans over the last several months, I’ve been excited about them–they felt like freedom, like hope, like adventure. But my isolated drive through the remote, seemingly immeasurable Sierra wilderness had gotten deep under my skin. As I lay in bed I was afraid, very afraid that I was a fool. That the uncertain, blank canvas of the years ahead signaled that I was walking off a cliff. At root I hate not having a plan or being in control. It took me a very long time to fall asleep.

But the next day was better. It’s beautiful here. I step out onto the front porch and the air smells of warm, sunny pine. And South Lake Tahoe’s a resort town, so everyone (but everyone) is on vacation, in shorts and sundresses and crop tops and flip-flops, walking to the grocery store for pasta and cheap wine, wandering to the beach like there’s no timeline because there isn’t. The sand at the shore is coarse gold, not the fine, ethereal grey you find on the beaches of Vancouver. Every day has been sunny and soft.

So the last week has been gently livable. I’ve walked to the grocery store a few times myself, marching out in my sandals through dust and sun and sugar pine needles, and even to the lake once. I’ve jumped into revision plans for the novel, scribbling in all directions on sheets of paper ripped from my New Testament notebook, facing up to the number of characters I need to do justice to. I’ve watched Taskmaster and Grand Designs while eating grilled cheese sandwiches, and read bits of mystery novels as well as Spoon River Anthology.

The anxiety which surfaced on my lonely drive lives on, and so, in a related and equal way does the missing of my life and people in Vancouver. Both have been coming out in emotional bursts, like I have a release valve somewhere which I can turn off and on mainly as I please (anxiety and sadness on tap!) But just because they are voices I can hear does not mean they are the only ones. 

For my birthday, my sister gave me a copy of Adorning the Dark, Andrew Peterson’s book on creative vocation. It felt appropriate to read it now as the point of the next couple years of adventurous living is to lean into the writing, to try to make it actually happen. I’ve read a few chapters, and it’s been full of good reminders. “Follow the stars, not the flotsam,” he says. On Sunday, I went with my grandparents to a concert on the north side of the lake, up in Incline Village. As we drove along the eastern shore for nearly an hour, the wind had picked up, and I could not stop staring at the water. Hundreds of little whitecaps ducked and sped across the blue in the midday sun, so deeply, truly, richly blue, that it made you wonder whoever could have dreamed such a color, and not only dreamed it, but filled a whole lake with it.

So I will follow this for now, these pleasant lines in pleasant places.

Gold Shoes and Hand-Holding

I write to you from a quiet house where a little dog lies next to me on my bed. The room is a half-packed, unlaundered disaster zone. I leave on Tuesday, which is surreal, but I also feel very full.

I don’t really have anything to say about any of that. I just have two things to tell you.

The first is this: I’m getting rid of my gold shoes. If you know me, you probably know the ones. They’re sparkly Steve Madden loafers, entirely covered in spiky gold studs. My sister found them for me at a thrift store when I was in college. Once I wore them to church, and a little boy who was about two or three walked up to me and stared down at them in awe. “They’re beautiful…” he whispered. And he threw himself down on his tummy on the carpet and embraced them. He never once looked up at my face, but that’s okay. I understood. The first day I’d ever worn them my feet bled, and I panicked not about the blisters but about whether the blood would stain them. There’s just something about them that inspires adoration, devotion, respect. Later, I sometimes wore them while teaching and a student, usually male, would comment on their sharpness. “Yeah,” I’d say, “They’re dangerous,” and I’d mime a little kick. He’d then look nervous for the rest of class. I wore them here in Vancouver too, especially at first, leaving them inside the front door of any house I was visiting according to polite Canadian custom, in the pile of everyone else’s Blundstone boots, loud and brash in the middle of all the slick brown. I’ve had them for ten years now and when I mentioned offhandedly a couple weeks ago to a group of friends that it was probably time to get rid of them, the idea was met with shock and flat denial. But despite that, it is time. Spikes and glitter have worn off in spots, and in one place beneath, a rip is growing in the fabric. I wear things hard. But I’d like to think that’s a sign that I’ve lived in them, properly lived. I look at them and am satisfied.

The other thing I wanted to tell you is that the other day I was sitting at Quilchena Park, waiting for a friend, and a little girl and her grandfather passed me. She was maybe six or seven, and they weren’t talking but were clearly headed somewhere on purpose. As they walked away across the grass I saw that each kept reaching out for the other’s hand, in an absent-minded, habitual gesture, but they took it in turns, so they kept missing each other. Him and then her and then him and then her. I couldn’t see their faces of course, but from my increasingly distant vantage point, neither seemed to mind the failure of their little attempts. They were focusing on their destination, wherever that was. They’d find the other’s hand eventually. When they really, really needed it.

On Packing

I’ve been wandering my way towards writing this entry for several days now.

Sometime around a week ago (I’ve forgotten how long) I decided I was going to stop overthinking things. And by things, I mean leaving Vancouver and Regent and my life here, and the responsibility of saying goodbye, and trying to do a good job of it. I’m just going to live the last few weeks here, and then leave.

This decision was concurrent with the realization that the thing that matters most to me in leaving is packing. I like sorting—I always have. And in packing I get to sit in my room literally sorting through the pieces of my life: the clothes, and the books, and the papers, and the birthday cards, and the travel mugs, and the toiletries I thought I would use but definitely never did, and the bobby pins, and the shoes, and the map of Canada that my American brother gave me, and the jackets, and the novel drafts, and the piece of paper from a few months ago on which I drew multiple graphs charting my levels of happiness over the course of different semesters in Vancouver which perhaps proves that my choice to stop overthinking was long overdue. 

So I like packing. That’s one thing. I like sitting with the windows open in the afternoon sunshine and touching each of my possessions after a year without touch, putting them in piles to give away or keep or send on to the next place, telling the housemate on my bed what each of them is and why it is that way. It’s almost as good as having everybody I love in the same big room and getting to share a secret conspiratorial grin with every one in turn and feel so glad to know them.

Because that’s the other thing: it’s occurred to me that probably the best way of doing justice to my life and times at Regent and the channels they have made in me is not through thinking or talking or even poetry, but just through action, through continuing to do the thing I’ve been doing. I don’t need to make or dig for meaning, because I’m already surrounded by it. It’s in the mementos that crowd my room and in the ongoing everyday actions of my housemates and my friends and even the dog. It’s in the food and the drink and the spring leaves and the wind and the familiar sidewalks. I’m in it and under it and on it.

The last blog entry I wrote before I arrived here in 2018 was called “Seismic Shifts,” about God moving the ground beneath my feet, all of our feet, and from my little vantage point of clutter in the pale pink bedroom with the high window I can see that that divine movement has unearthed so much color and raw glory in the last three years. So as I leave again, I’m happy to simply trust the slow, dusty movements beneath me in their good work.

Yet I must say, in a certain way I feel much more as if I’m headed towards something than I did when I left Greensboro to come to Vancouver. I’m heading towards home, wherever that may be.

Porta Potties and the Joy of Being

It’s spring here this week, really, really spring. Last night, after dinner, I walked to the store to pick up a few things. I wore only a jacket and the air was blue and soft and fragrant and on my way I saw blooms that looked like dozens of tiny daisies all crowded round together, like cluster diamond rings. Every one of my senses told me that all this was a beautiful day, but I couldn’t really feel it. 

I got what I needed at Safeway, and came out thinking about my foul mood, and how recently anytime I try to reflect on the last year I feel resentful. Perhaps then, I thought, I should focus on the here and how. Maybe if I start there, I won’t be so angry. But even that didn’t seem to be working, I was so far out of sorts. Everywhere I looked, all I saw was annoyance, so I slouched on.

And then, passing a construction site, I looked up and caught sight of a couple porta potties next to each other, one blue and one pink. And I stopped, and I stood still, and a strange feeling came over me, and I laughed. Because why, oh why would anyone go to the trouble of making aesthetic choices for a porta potty, one of the most famously man-made, utilitarian, temporary, and gross objects on the planet? I mean, if you want to have separate toilets for men and women, just a straightforward sign on the door will do the trick. And yet. At some point some manufacturer must have said, How about if we have some design options? How about if we have not only grey, but deep sea blue and bright bubble gum pink? Let’s get those going on the production line! People will love it. And then I imagined some site manager or someone, when planning for the build, had looked at the pictures and gone, Ooooh, yes, let’s mix and match a little, and order a few of each color, then we’ll alternate them for visual contrast once we get them on site! What fun! The more I thought about it, the less I could think of any other explanation.

So I stood there and kept on grinning, because the color of a pair of porta potties was all superfluous joy. There was no reason for them to be this way, and yet here they were. In fact, because of the porta potties, I had trouble getting home. My feet moved me very slowly. I kept getting started and then just stopping and standing there in giggling, grateful reverence, and then needed to remind myself to keep walking.

My body, which on the way over had resisted all the delicate, sublime urgings of creation itself to rejoice, was now responding with fierce delight to the absurdity of colored plastic boxes full of human waste. 

There’ll always be something, friends, there’ll always be something.

Morning Rest

I have a few different notes and lists stuck up next to my bed. I’m a great lover of lists. One of them is titled “Goals,” and the first item on it says “Get better at mornings.” If you would like to know what I mean by this I’m not really sure myself, except that the first hour or so of my day, when I’m pulling myself out of sleep, is usually when I feel most frustrated, most frightened, and least rested. And I’d like it if that wasn’t always the case.

Rest, real rest, is hard, apparently. I remember discovering this way back in undergrad, but for all of us within the last year, the definition and attainment of real rest has gotten especially fuzzy. We’ve done much of our working, relaxing, escaping, talking, worrying, waiting, sleeping, playing, trying and then failing to love our neighbors, and checking the latest news all within the same confining walls. It’s hard to know what the boundaries are anymore. Everything we do starts to bleed together. And the ability to rest, already so difficult, falls deep into the cracks.

Thus I’ve set this entirely unmeasureable “get better” goal for myself and have made small, gentle amounts of progress towards it, towards occasionally being propelled into morning prayer by something other than a foul, anxious mood, but it’s been a real effort, a back and forth between numbing myself from feeling and a vigilant monitoring of my habits and thoughts. I’m striving for peace, but usually failing.

And then late Thursday morning, I took the bus into Regent for a library shift. A little over halfway there, around the time we passed Wallace Street, I realized that without deciding to I’d tipped my head against the window, a little sleepy, eyes half-closed. And as I leaned there I was thinking slow, wandering, insignificant thoughts about who-knows-what for the first time in a long, long while. Rest had come upon me unbidden, as gift, without me even choosing it. Trees and houses floated past and I sunk deeper, softer into my seat. I almost missed pulling the cord for my stop.

So here I am in the stillness of Holy Saturday, the enchanting effects of that rest from Thursday long gone, my own weary, cyclical strivings to be better at mornings (and all things) firmly back in play. Yet that moment on the bus stands as witness—as I find moments on the bus often do—that rest is a thing given, not attained, and it can come upon us wonderfully like surprise, like resurrection.

On Leaving Vancouver Like This

I graduate from Regent in May and I have less than three months left in Vancouver. Despite the fact that the past year has crept along at an agonizingly slow pace for so many of us, three months doesn’t seem like much time. And as I expressed here a few weeks ago, I am very ready to be back in the States. But part of that, if I’m being honest, is because leave-taking is hard. I’d like to skip this part, and just move on to the future already.

Leaving Vancouver and Regent right now, in their semi-hibernated-covid states, feels like having to say goodbye to someone you love very much while they sleep. 

There are upsides to this, of course. I’m an emotional person, but not a demonstratively sentimental one, so I’ve never been big on sloppy, drawn-out goodbyes. It’s sounded appealing recently to just detach from community and place here, to stop paying attention to how beautiful the mountains are and how the bus hums, even to pull back from my close friendships in preparation for slipping out the back door of this place at the beginning of the summer. I could latch it quietly, I’m sure, and no-one would be the wiser. In my more socially awkward moments I’ve certainly polished my own version of the unannounced exit. 

And yet to sever ties like that, to pull myself in and bundle myself away so as not to deal with the ungainly mess of an ill-timed farewell doesn’t do justice to what this place and people and experience has meant to me. 

Also, despite my self-protective dreams of timely emotional detachment, I haven’t really been handling things so neatly. For the past few weeks I’ve gotten up and written in my journal and worked library shifts and had meetings and read books and interviewed folks for my guided study and gone for walks and made stew and small talk and advised friends on life decisions. And yet, I’ve still found myself for at least a couple hours a day sitting and watching the sleeping giant of my time here, contemplating what has come and gone in and around and through me.

If things were more wakeful and normal, I wouldn’t be doing so much of this contemplation. There would be overwhelming busy-ness and distractions and parties and occasions, and they’d all be punctuated with occasional short, nostalgic conversations about time and how it flies, sometimes with close friends and sometimes with acquaintances. And I would blink and it would be over and we’d all hug and I’d move away and write a blog entry about it that wouldn’t be bogged down by questionable existential metaphors about sleep.

But that doesn’t happen to be the way of things now, here, for me. Existential metaphor is my lot at the moment. Trying to say goodbye in this way, on my own, means I have time and space to think of everything that’s happened. I think of regrets and embarrassments and disappointments and the occasional frustration. And sometimes, if I am very brave and allow myself to dive down deep, I think of the good things too. I think of a lot of laughter and a lot of conversations and a lot of pictures of my feet that I took at bus-stops in my first month here. I think of sidewalks I’ve walked down and beaches I’ve stood on and bowls of soup I’ve eaten and ferries I’ve taken and a whole lot of people who’ve sat down beside me–so many of those. I think of hands and flowers and washing dishes. All these things are a bit sharp and painful in my chest, and that reminds me that they’re worth writing a story about some time. For me, they’ve already been one.

But more than that, the place itself will wake all the way up one day, probably not long after I go. It’ll rise and shine and then we’ll all come back and have a party–not a good-bye party, but a hello one. (That’s the dream, at least.)

Spring Talking

The other day the sun was out and I took a walk. I only got so far as crossing the street and then there were crowds of crocuses standing brazenly in the grass, as if they’d always been there and we’d all just forgot to look at them. They were the big purple kind which I’d never seen till I moved here and which always make me catch my breath. But they also made me think of the ones I grew up with, the sacred first sign of spring—small, delicate, and canary yellow—peeking up around the corners of the grey slate paving stones which lead up to my parents’ blue side porch.

Then I took myself all the way down Yew Street to Kits Beach.

The evening after I took that walk (or maybe it was the next evening altogether) I read two chapters of Wind in the Willows aloud to my housemates (the first and fifth because those are the best ones). I made it through Chapter Five without crying, but just barely. The little monologue in which Mole explains to Rat how he had wanted to stop and go back to see his little home, but his friend hadn’t listened to him, is really rather raw (more raw than last time I read it, at least). That “spirit of divine discontent and longing” that Kenneth Grahame talks about has come early for me this year.

I’m homesick. I’m homesick for America and for road trips and for new jeans and high heels and for friends’ couches and for Pilot Mountain and for fresh tacos and for laughter and quiet and Yeats’ bee-loud glade. I’m homesick for what was and for what’s next. I’m homesick for Lord-only-knows-what. 

Only the Lord may know for now, but when I do see it, like the crocuses, then I’m sure I’ll know it. I’ll be like Mole coming upon Rat’s little boat, Mole whose “whole heart went out to it at once, even though he did not yet fully understand its uses.” 

Broken Ice

It’s February. February always gets to me and this year I think it’s gotten to everybody. For my part I’ve spent the last week or so ruminating over the realization that it’s vulnerable to hand my work off to someone else for feedback, to let it out of my control. As I face a second revision of my novel, I’m suddenly very aware that I don’t quite take naturally to creative collaboration, that when doing what I love, I like to work alone.

Then this morning, I had a library shift. Around noon I wheeled a cart out from behind the circulation desk to shelve some books and saw movement out in the garden. Regent’s library is underground and to the west there are tall sliding windows that face onto a small rectangular reflective pool and three sharp tiers of a much-beloved vegetable garden which lead up to street level. I haven’t seen a human being in that space in months. Yet before my eyes were three boys scrambling down the ladders which lead from one tier to another, leaping like monkeys, clearly drawn by the lure of the icy pool below. One of them immediately swept up an eight or ten foot garden stake which lay unused. Then they saw me standing a few yards away and all three froze, the smallest with the stake poised above the pool. 

The boys stared at the librarian lady and I stared back. For the briefest of moments I contemplated rapping on the glass and telling them off which was clearly what they expected, but then sanity prevailed. They were hoodlums certainly, but small ones—the oldest was no more than thirteen. And besides, I understood. I understood in the depths of my soul what they had come to do. It’s been colder than usual for Vancouver-winter the last few days, and every time I’ve walked past those windows I too have found that dull, wrinkled ice enticing. How thick is it really? I wonder. Surely paper thin… But what if it was thick enough to crunch when broken? What if it could take the weight of a leaf, a stick, a toe? And imagine how a stomp would do it in…

So with a nod of respectful approval, I turned my back and pushed away my cart of books as the boys got down to work, though I desperately wanted to stay and watch. In the next few minutes, I passed by as often as I could, praying they would not get caught by anyone else. But things are quiet here still and no one else materialised. Best of all, the ice was thicker and putting up more of a fight than expected—they were only able to make cracks and gouges, no matter what weapons they used to attack it. For some reason its hardiness delighted me. On my third pass by I expected at least one would have gained the courage to step out and test the water with his own weight but instead I saw only the disappearing heels of the smallest as he climbed the highest garden ladder, the long stake still in tow. I stopped again and gazed out over the garden, mourning their absence and wondered idly if they would carry that huge garden stake all the way down Wesbrook Mall. 

And then, up above at ground level, the tip of the wood stake appeared hesitantly over one of the railings. I grinned. Oh, how I had underestimated my friends. They knew physics. They knew about gravity. There was a thump and a clatter as it fell. 

They did not return to retrieve it. Accepting, I think, of the failure of their venture, they left the stake nestled on ice which was still only just cracked, a testament to a valiant, collaborative attempt at joyful destruction. Still smiling, I went to find a pen to take notes.

Scope for the Imagination

I got the first dose of the covid vaccine last week. My sister told me the day before that I needed to take a selfie at the exact moment I got the shot and post it on every social media channel immediately, so that people would know. I told her I absolutely wouldn’t. But I am writing this blog entry, so, you know…

For many people the vaccine symbolizes hope—hope for health and light and a return to normalcy—and I do think there is truth to that, but over the last few days I’ve found myself thinking not about how this will change things going forward but about the actual experience of getting vaccinated.

This pandemic was hard and then we got used to it and now, it seems, it has gotten hard again. Here in BC, we’ve been in the grey time of the year for months now, and restrictions are such that, with the exception of those we live with, we can only see one another one at a time, out in the cold rain. Classes are still entirely online. We know things will get better, but we can’t be certain when, and there is no way to mark the future, to make definite plans for joy. We have only the huddled, breath-holding present. There doesn’t seem to be much of Anne Shirley’s fabled “scope for the imagination” just about now. 

I know some people are flatly afraid to hope at this point because they can’t bear to be disappointed, and pessimism feels safe. I’m typically in the opposite camp. I can’t bear not to hope, because otherwise how would I manage to get up in the morning into each new day? Yet recently, with the way everything has felt hemmed in to this current sodden moment, my realist streak has been making its presence felt and I can sympathize with the pessimists in our midst. I remind myself more often than is necessary how long it will take to distribute this vaccine, how much longer after that before people feel safe.

Last Thursday morning my appointment was at 9:20 at the spinal cord clinic at VGH. I briefly waited in one of two lines into a parking lot, then was directed around the corner between tall hospital buildings with foliage pasted on the side and waited in another line for longer. At each checkpoint I was asked which dose I was getting and where I worked (they’re mainly vaccinating care home workers and other health professionals at this point). I noticed that some other people waiting were clutching important-looking yellow slips for dear life, and I wondered what they meant and whether I ought to have one. 

Once I got inside I traded my cloth mask for a medical one and after again confirming where I worked, but still not being asked for ID, I was directed to a table where a woman politely introduced herself, asked me the various screening questions which we’re all so used to by now, and had me fill out a form. When I was finished she handed me a copy of the form, which turned out to be the precious yellow slip, and sent me on to a nurse who also politely introduced herself before asking me a couple questions about my allergies. I’ll freely confess that I don’t remember either of their names but I still liked that they told them to me.

Then she gave me the shot, which ached more than it stung. After, she told me to “follow the orange wall” (a phrase I really liked for some reason) to the after-care room where I would sit for fifteen minutes to make sure I didn’t die. (That’s not quite the way she put it, but I inferred.) The room was populated by a crowd of thirty or forty distanced chairs, with two bored (but still polite) nurses observing in the corner. We were our own time-keepers. Some people chatted, but most sat still and silent, like obedient children waiting at the designated meeting spot on a family day out, coats on and bags clutched on our laps. I was tempted to leave early, but I sat out my full time, because that’s what you do.

Then I left the building cradling the yellow slip which would enable me to get my second dose, and walked back to the hospital parking deck, which is miraculously free to everyone for an unspecified period of time. And I drove home. Getting the vaccine felt normal, which is not what I expected, but so it goes. 

Yet, like I said, I keep thinking about it, about how normal-and-not-normal it was. How normal-and-not-normal all of this is. And I can’t seem to shake it. So perhaps there is scope for the imagination here, in this ashen in-between. The present, after all, is always the point in time which most nearly touches on eternity. And eternity is full of hope.

Advent Poem

I went for a walk after dark just now. (Everything’s after dark these days.) On some quiet, straight street in Kerrisdale, I realized I was nursing a bit of a broken heart. Not because of anything in particular, just one of those cracks in yourself that sometimes makes itself loud and painful for an hour or a day before receding back into silence.

I told God about my little broken heart and then stomped along for another twenty minutes or so, wondering why he didn’t do anything about it. I pulled my coat around me tight even though it wasn’t that cold.

I came to a turn where the ridge of the neighborhood dropped away before me so that all the lights of downtown glittered there. I didn’t find it as beautiful as I knew I should have. I passed a Christmas tree sale, smelled Douglas fir, and was annoyed. I thought of the list of poems I’d put together for Advent and rolled my eyes at my own eager efforts. 

Then I wondered what if, just for now, I stopped trying to sort through all this peripheral beauty—the lights and the trees and the words and the colors. I was clearly too much of a philistine for all that tonight anyway. What if I just let Advent itself be the poem?

I stopped halfway down the hill. I stood still and looked out over the city again. My vision softened. I waited. 

The poem then was this: God sees that everything’s dark these days, and the Son says, Shall I go? Shall I go and live and die there? God says, Yes. So the Son shows up not in a chariot, but in a womb, is born a human baby to a wide-eyed mother and her wide-eyed Joseph. He grows up into a God-man who is good to his word: he lives and he dies and then, quite overwhelmingly, he lives again. The Son ascends back up to heaven at the end of the poem, but his coming has left every beacon burning behind him.

So if Advent is the poem, I thought, standing on the sidewalk, then we can look out over the dark landscape and see every hill ablaze with holy hope. We can run wide-eyed to those tongues of promise-fire, holding out the largeness and the smallness of our mangled, poorly-pasted hearts, and say, You’ll take this? Even this? And no matter how often we, like anxious children, repeat the question, the steadfast Advent poem will always say, Yes.