Tag Archives: summer

An Ode to Airport Living

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This will be a summer of travel for me—spring already has been. Throughout June and July I’ll be more out of town than in it. This has me thinking about airports—those odd liminal spaces consisting of high ceilings, endless grey-green carpets, exorbitantly-priced food, ambient intercom announcements, beeping carts, chirring suitcase wheels.

I never think I like an airport. There are restrictions and lines and unspecified waiting times. Sometimes they yell at you to take your shoes off and sometimes they yell at you to keep them on. When you are late for a flight there are always unintentional herds of people directly in your path who are gazing up at departure screens with tired eyes. Also, luggage gets lost.

And yet, in an airport I am nearly always content. Most of the flights I’ve taken in my adult life have been alone. And while this has the downside of not having someone to watch your bags for you, it comes with its own special flavor of autonomy. You are caught in an uncomfortable limbo—Concourse A, perhaps—but there you are utterly free. Free to walk, free to talk on the phone to every friend you can think of, free to treat yourself to a sit-down dinner no matter the hour, free to go in search of the interfaith chapel, free to curl up on the carpet at an empty gate for a nap, free to listen to three hours of an audiobook, free to be either under or overwhelmed by the in-terminal art exhibits, free to have a cleansing cry. 

Those are the things the people around you are doing too. Wherever you settle yourself, you can look across the way and you will see other another human being wearing a neck pillow like an accessorie, waiting to fly away from home or back to it, expectations, hopes, and fears for the destination piled round their feet like so much luggage as they drink a smoothie and watch distant figures on the tarmack wave neon batons this way and that. There is nothing so universally relatable as one solitary person’s very particular experience.

The plane is a different beast altogether. It’s an uncomfortable cocoon in which the only people-watching you can do is out of your literal peripheral vision. But an airport, oh an airport is all cinnamon-pretzel-smelling and full of unguarded faces which bare gut-deep anxiety, boredom, potential. In a few hours we’ll be scattered round the country, round the whole globe, but in this moment we are all in this place, waiting together. Oh, an airport is living.

Homemaking

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August always feels still and hot and thick inside my chest.

I have spent my time the last week or two going into work for the morning then coming home to mop my floors with vinegar and water and play solitaire with a double deck of cards while I listen to nineteenth century novels on audiobook. Sometimes I go for a walk or text a friend. If there’s something I can do to help, I am glad.

A couple weeks ago I wrote a little meditation for the upcoming women’s retreat at church about peacemaking. And doing that has got me thinking about our powers of making, not just making things like chairs and pasta salad and promises, but our participation in larger acts of divine making: making peace, making good, making beauty, and—most particularly—making home.

I have never been more home in my life than I am now, not even when I was a child. I have lived away enough now to know how good it is to see everyday familiar faces and squares of pavement and to be myself part of that scenery.

And one of my great delights of the last year since moving back to Greensboro has been to have a place all my own, to make my home precisely what I want it to be. I’ve hung all my dresses and skirts along my bedroom wall where I can see them and turned my childhood swing into a kitchen shelf. I’ve imposed order of the kind I love and called it good.

I believe I am meant to do this homemaking. All of us are in our places and spaces.

And yet. Irish spirituality talks of “thin places,” usually places so beautiful and eerily “charged with grandeur of God” that the boundary between earth and heaven, human and divine, has collapsed to a mere veil, a curtain which may be torn in two at any moment by the thundering laughter of the Lord.

If homemaking, the ordering of what we’ve been given, is a participation in God’s larger work, I suspect his ultimate desire in that making is to turn all our places into thin places.

This is what I’ve been thinking about sitting in my big green chair in the corner of my living room: we are called to carefully order our homes and ourselves and our lives so that they are sensible and stable and welcoming, while simultaneously understanding it all as mutable—vulnerable this very second or maybe the next to sudden and complete permeation by the full glory of God.

I suppose without fully understanding it I’ve known this about every place I’ve ever loved properly. With each move of the last few years, as I’ve settled all my things just-so I’ve thought, “Who knows what will happen here?” and as I’ve organized a new classroom the last few days, I’m fully aware of the chaos that will rumble in with my students next week.

But to hold order and everyday routine in one hand and true, full surrender to God’s eternity in the other opens us up to much more than teenage angst. In making a home the way God means us to, we may find that only a gauzy curtain separates us from the utterly sacred. While following our best-laid plans we could find ourselves welcoming angels unaware, encouraged not to be afraid while in receipt of some great message. The curtain could tear as we set the soup pot in the dish drainer and dry our hands, and we could become like Mary, the one who carries the Lord in her womb, the one who sits at his feet, the one who breaks open her carefully hoarded savings to wash them with her hair, or the one who discovers his tomb, singingly empty.

Friends’ Homes and Peculiar Gifts

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I am almost home from this journey. Almost, but not quite. The trip been the things I expected, but also more. There have been eleven train stations (plus two bus stations for good measure). And when you travel by train, you look out the window a lot and see the trees and the fields and the small-town roads and jails and houses flashing past, then laid gently on top of all that you see your own reflection looking back at you.

Last week I had a long layover in downtown Chicago, so I stored my luggage and bought a pass to the Art Institute. I walked there down full, sunny streets. Wearing a wide brimmed hat and a short flowy dress in the Windy City was an added complication, but I didn’t really mind. This is how you expect solo travel to be: a little complex, but peaceful. I wandered through room after room at the Art Institute, photos and paintings and stained glass and pencil sketches and antique furniture, with the soft feeling that beauty tends to give me creeping along my skin. I took breaks from the art to each lunch in the courtyard and to walk down past Buckingham Fountain to the shore of Lake Michigan.

But most of this trip has not been cosmopolitan like that. Most of this trip has been family homes. Since I last wrote to you, I’ve been in a succession of them. There have been four babies, lots of toddlers and preschoolers, and a few older kids too. The highlights of days have been trips to the park with double strollers, family ice cream runs, and little hikes suitable for small legs through midwest woods. I’ve curled on many different couches to write.

These friendships all have a sweet longevity, sustained by small, unremarkable bits of upkeep when we see each other. We go to the library, and I pick out good grown-up novels for them while they watch their kids play in the children’s section. We color each other’s hair with henna because we’ve talked about it for a couple years now. We sit in the evening and watch something and chat long, holding out memories and future hopes to each other with equal care.

I am more aware than I’ve ever been of my friends’ generosity. Traveling this way requires it, requires people to rouse themselves out of bed at odd hours to take me to the train station, to make space for me in their rhythms and homes and at their tables. Going through this pattern of being cared for in place after place was more humbling than I knew it would be.

But this is what it means to be in each other’s lives.

Last night, bleary and tired I sat on the train looking down at the rings on my hand—the amethyst from my grandma and the pearl I found in that rental car last summer— and thought of all the pudgy little fingers that have reached out to fiddle with them in the past couple weeks. And suddenly, with my head leaned against the window, I was teary.

I am a woman with a natural instinct to mother, but single in my thirties and surrounded by peers who are in what we like to call a “different stage of life” from me. I will tell you, some days I feel as if an important part of me is wasting away, withering imperceptibly month by month while no one watches. The oft-repeated suggestion of pouring that directionless love into someone else’s children almost always clangs like a trite consolation prize, no matter how nice the kid or good the friend.

But as I looked at those rings, and thought of the little people nestled into my side who had touched them, a quiet wonder happened. I was fully, divinely aware of what a peculiarly glistening gift the last two weeks have been. I sat there and cried because, as someone told me once, we serve a no waste God, and he takes our deep desires into his own hands, and uses them in ways we could not imagine.

Because the gift of being with my friends’ young families was not a gift to me only. I’ve spent this time buckling so many car seats, holding so many hands as we cross a street, and swaying with so many fussy babies balanced against my hip. I’ve read more books aloud than I can count, small bodies using my arm or shoulder to somersault themselves into a new spot on the couch. My lap has more real estate for sitting on than a nursing mother’s and I know card games the school age kids haven’t learned yet. I can cook dinner with a thirteen-year-old for a sous chef while his mom runs out to pick up his sister and I can make sure the toddlers don’t touch the breakables in the general store. In return, I’m called “Miss Alice” in a sweet host of piping voices. 

Some kids who a decade ago hugged my legs with head mashed against my hip are now taller than me. The ones who hugged my legs this past week will grow fast like that too, and whether I have my own kids or not, I get to watch, and watching is a joy.

I’ve had much time to think about all this, because my last travel leg home has been a long and ridiculous saga. There were four graveyard-shift hours spent waiting at the Indianapolis Amtrak station, and then twenty-four straight hours on a train, about seven of which were at a total standstill. Arriving in Charlottesville after three this morning, the station attendant sent several of us in a taxi to a hotel outside of town where we would stay for free, but when we were dropped there and walked into the lobby we found that they had no record of us. Eventually I got some real sleep in a clean bed though, and now, after a sticky midday walk, I am sitting at the University of Virginia library writing this to you. I will catch my final train home this evening.

I’d planned to be back in my own space by now, and I’ll be happy when I am. And yet. Despite exhaustion and discomfort, this last day or two has been its own peculiar gift. I’ve been surrounded at every juncture by people who seem straight out of a Flannery O’Connor story, their outrageous humanity busting through all the cracks in their veneer. I’ve watched and laughed and thought about what wonderfully messy, oozing poetry they would make. 

But that’s for another day.

Today I am simply grateful for all of the last few weeks: all the homes I’ve entered, all the beds I’ve slept in, all the plates set in front of me, all the arms wrapped around me, and all the beauty I’ve seen. And most, I’m grateful for the grace of God in allowing me to occasionally understand just how good I have it.

Erring on the Side of Kindness

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I’ve been grateful recently that in art, in the making of things, we have permission to be messy. I’ve been struggling the last few days to make myself sit down and write an entry here based on an idea I had about peace. But now I’ve deleted what I had and decided to tell you stories about my grandpa instead. He was, incidentally, probably the most peaceful person I’ve ever known.

When I was in college I spent most summers in Missouri with my mother’s parents. If you’ve hung around here long enough, you probably know that. One of the things I did, every Wednesday evening, was get in the car with my grandpa and drive him an hour southeast to a town called Moberly where he would lead a Bible study at the state penitentiary. I would sit in the local YMCA with my laptop to wait for him—it was the only time I got internet all week. As we drove we would listen to the radio or to the silence or sometimes, though he was a quiet man, Grandpa would talk. 

He told me about once when he’d driven himself to the prison and accidentally left the car running and the doors open when he went in, so that it looked like a getaway car. And he told me about his friend in the Air Force, David, who had been killed during training exercises at the end of the war. But one of the stories he told me most often was about a visit he made home to see his family when he was in college.

He went home for a weekend and visited his mother and aunt. His uncle, who was a bit of a drunk and the family black sheep, lived just across the street. This uncle happened to officially be on the outs with my grandpa’s mom and aunt the weekend he went home, so to keep the peace Grandpa didn’t go see him—just waved at him when he saw him sitting out on his porch. When the weekend was over, Grandpa went back to school, and not long after his uncle killed himself.

I’m sure my grandpa understood that his uncle’s death was not his fault, yet sixty years after the fact he repeated the story to his twenty-year-old granddaughter as if it had great hold on him. He knew he had not done what he ought. It was a story which I now suspect informed much of the rest of his life. I remember that when I started teaching, my mom advised me to always “err on the side of kindness” when dealing with my students. And that’s how he lived the rest of his life in full view of his seven children and exponential grandchildren: disregarding cruel feuds, generous to the point of seeming foolishness, willing to be taken advantage of by the least of these, erring on the side of kindness, salt and light.

The last summer I spent there, Grandpa, still his same gentle, faithful self, started seeing people who weren’t there. He saw children waiting in hot minivans who needed the door opened for them, strangers—perhaps hungry—approaching the kitchen across the back field, a boy sleeping at the end of his own bed who needed a warmer blanket. He always brought our attention to their presence in his soft voice, unwilling to make the mistake he’d made decades before, determined his uncle would not spend the afternoon alone on the porch.

But my favorite memory of my grandpa is perhaps my oldest. I was maybe five, and it was summer then too. The middle child of his middle child engulfed in a sea of visiting cousins, quiet and large-eyed. And he took me in his truck, just the two of us.

Our errand, I think, was to the slaughterhouse to pick up a side of beef that had fed on their land, but that doesn’t color my recollections. What I remember is tearing down Highway F, the little pick-up catching air at every bump. My grandpa loved speed. When we got to our destination he bought me a soda from the machine—I think it was orange—a treat which overwhelmed me. As we came back, I remember soaring over the hills once again, half-full can in the cup-holder and pop sloshing in my stomach. It’s been well over twenty years now, but I would live that ride again and again and again.

A Love Letter to July

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I used to name blog entries after months much more often. In fact, if you were to dig back (please don’t) December and February actually ended up with two each over the years.

It seemed like a simple thing to do, to just say, here’s this month, for what it’s worth.  But I haven’t written like that in a while and just at present we are all in the midst of a seemingly interminable period of tension and unpredictability and confusion. There doesn’t appear to be much good reason to write about now. I’d rather hurry on past now, to be honest. I’d like to get to later as soon as possible.

But perhaps there is something valuable in taking stock of what’s currently around me, of not comparing it to my wider expectations and hopes (of which I have so, so many), of just saying, yes, okay then, this here is July. It may have strange privations and discomforts, but it has its own abundance as well.

I’ve just started a part time job in a long-term care home and my commute to West Van takes me through Stanley Park and across Lions Gate Bridge each time, inching in slow traffic through trees and low clouds and over the wide-stretching water. I get to deliver flowers to residents on their birthdays. I get to sit next to them and fill in a print out of a mandala with an unreliable set of washable markers and together we watch its petals slowly fill with color. I get to hold old ladies’ hands as I paint their nails, listen to them exclaim over and over at how nice it is to have the ugly chipped polish off, and isn’t this new red so beautiful.

On days when I’m not working, there’s blue, blue sky and sun on my shoulders and pasta salad. I get to watch my friend Lorna exclaim over every single fern in the UBC botanical garden. I get to read poetry in a backyard. I get to eat cherry jam with a spoon. I get to walk through golden summer grass in a school field that’s all going to seed and I get to take my car through the car wash. When I was a very little girl I used to be afraid of the car wash. I would cry, and a parent would hold my hand—it was dark and it roared at me from all sides. But now it is precious to me to sit alone in the dappled, swirling dim as the colorful splatter of suds is rinsed away, washes in torrents down the sides of the car, allowing the light back in. 

And friends, I get to write. I get to pile words in a heap and see what they yield.

A week or two ago, I got a card from my mom. Usually her cards have a Picasso reproduction or an old sketch from a 1940’s Vogue printed on them. But this one had only words on the front. It was a couple lines from a very tiny Emily Dickinson poem which I’d never read before: “Not knowing when the dawn will come, I open every door.”

So this here is July.

What Words Won’t Do

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This August, I’m writing. I’m writing four papers (none of them terribly long), a first novel chapter, whatever bedraggled poems come begging at my door, many, many to-do lists, and now this blog entry. Hello.

Not to bore you by belaboring the obvious, but I love to write. I do not always find it easy and I rarely find it simple, but it has become to me itself a way of loving. When I see something or someone, really see properly, my first instinct is to write, to conjure out of that spot of time the requisite words, then to order and reorder them till they say the true thing and the beloved sits shining before me in verbs and vowels. Words for me, one who struggles to throw away even the most decrepit of old flannel shirts, are a means of well-ordered, small-s salvation. (You see why I’m attached.)

But, to my continual frustration, I have not been able to explain in words the sort of summer it’s really been. I’ve tried to explain: to others, to God, most often to myself. Yet I cannot, no matter my angle of attack, capture the sort of creeping growth crawling through me as of late. If I look at it, try to catch it in the act, it stops.

So I’m endeavoring to settle in and accept that. Just because I can’t articulate in words what I’ve gained in the last few months doesn’t mean I haven’t learned. (I mean sure, if I can’t properly describe such things, then clearly I’ve failed to fulfill the learning objectives as stated in the syllabus, but, lest we forget, life is not an academic exercise. Thank God.)

Though I cannot draw any succinct conclusions, and words are not arriving on their cues, I can offer a few small tokens: pictures and sounds, things you could hold in your hand for a moment or two.

There has been Pomp and Circumstance playing in a big North Carolina sanctuary and me in a soft brown dress and tired eyes stepping into the line of processing faculty as if I’d been there all along, and there has been a week or more of tires on the asphalt of the interstate: spinning round and round and round but also moving forward.

There has been that ferry ride back from Victoria in the afternoon sunshine with my mother in the seat beside me, while I clutched tight a children’s book I’ve never read before, leaning in to its last melancholy pages with every ounce I had, and there has been the trick pilot who dove and danced and generally defied death in the blue sky above English Bay a couple weeks ago, and the looks of dumb, gentle awe on the faces of the watching crowds at Kits Beach.

But most, there has been this intermittent and wandering sound of my keyboard while the traffic hums soft outside, and there has been a jar of bright, fresh-cut, wild-ish flowers bought for $5 from a homemade stand outside a quiet house on 14th Street.

There have been these things.

Patience and Long Light

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We are deep in July now, and I have been thinking about patience today.

Back when I was teaching, if you had asked any of my students to describe me, probably one of the first descriptors you would have heard from almost any one of them was that: patience. Once, on a Friday afternoon in Spring, a student asked me if I had ever yelled, and all his classmates fell into an earnest, curious silence waiting for me to answer. If I had a trademark, it was patience. There were upsides to this, certainly. Being told I was patient by the ones who struggled to write an introductory paragraph and needed slow, painstaking help, by the keyed-up, anxiety-ridden ones who were used to grating on the nerves of most adults they came into contact with, by the talkative ones, the attention-hungry performers, was a compliment. I never got upset, always had the time, and that was something they could rely on every day they set foot inside my class. But being told I was patient was often also an indictment, though usually a gentle one, and I knew it. Coming from some kids, the ones who did what they were asked the first time around, who came into my class having completed every page of the reading without fail, who opened their binders to that quarter’s scripture before the bell even rang and stood ready and waiting, it meant: You let too much slide, Miss Hodgkins. Some days, your patience does none of us justice.

So when I think of patience, I often think of it in that context: the way it operates for me as a double-sided coin: a gentleness to those around me, but also an excuse, an abdication of responsibility, an escape into passivity.

But today I have been coming at the thing from another angle. Because in some ways I am not patient, for good or for ill. This will reveal the deep veins of selfishness in me which adulthood has not rooted out in the least, but whenever there is something which really directly relates to me, to my own well-being and comfort and satisfaction, I am not patient at all. Summertime reminds me of this, without fail, in its awkward, unreliable rhythms and the way we all leave town and come back only to leave again, and this one has been a particularly good example. It has been my first summer in Vancouver and sunlight here comes before I wake and lasts well past dinner. The days not only move slowly, but sometimes, despite my busy-ness, they seem to sit still. When will the sun set? When will the balance between rest and action return? When will the heart beat properly again?

So with all my annual angst and impatient kicking against the goads which mostly no one can hear but myself (and a few lucky loved ones!), I thought today of a couple of things about patience which I hadn’t before.

First, I thought that perhaps I could get a better, deeper grasp on patience, really dig into up to my elbows, if I could stop thinking of it as a virtue intended for use in the love of others, but, as perhaps all virtues ought to be, as an entrance into wisdom, a way of learning old rhythms anew. I thought that if I waited long enough, if I were patient, there might be time for something to come from very far away. So the fruit of this patience today, while my late lunch slowly cooked, was found not in the eventually browned Italian sausages but in wandering out onto the sun-dazed patio and chewing absently on a fresh mint leaf, like we used to do as little girls in our North Carolina backyard when it was a wilderness and we played at adventure. I stood still instead of straining forward, and there, on my tongue, was a gift.

But more than that, and conversely, the other thing about patience I became convinced of today was this: patience needs an object. Though we may be called to stand in the sun, we are not really supposed to do so absently. We are supposed to direct our patience toward someone. When my old friend Hopkins began a sonnet way back when with, “Patience, hard thing!” he was not really talking about the patience I directed toward my students, that we are called to offer our friends and families and neighbors. He was talking about the kind of patience which I struggle to exercise when July rolls around, about the patience you use to quell the thing gnawing in your gut. But who, pray tell, is the object of that patience? To say that it’s our own selves veers too near the realm of patience as excuse and passivity. But if we are called to stand still in a given spot and be longsuffering there perhaps the object of our patience ought the be the One who does the calling. Indeed, he may well be the Object of all virtues, and they may only ever be complete virtues at all when directed towards Him. He is the maker and breaker of rhythms, the crusher of foes and life-breather of hearts, the one who separated the light from the dark in the first place.

He is patient. Patience fills                                                                                                               His crisp combs, and that comes those ways we know.

The Souls of Things

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I am home this week in the quiet and the soft, sticky heat of my parents’ house, and I have just been sorting through books. Box after box, cover after cover, my hands built up a bit of a residue with all the handling and I went reluctantly to wash them. There is nothing, but nothing, which makes me so simultaneously grateful and able to write as simply touching a whole lot of my own books. As I flick the pages they release their ghosts so quickly that the room is full in a matter of minutes. Ghosts of characters, of authors, of friends, family, teachers, of myself as a child, and, wildly and nonsensically, the ghosts of all of us in some eternal future. For these words, printed and dusty and sometimes crumbling, are already pumping through the veins of many of us, pushing us on to somewhere else.

One of them is a book I was assigned to read in undergrad. It’s by a man named Vigen Guroian and it’s called Inheriting Paradise: Meditations on Gardening. I can think of about twenty-five different people at Regent who would devour it in one sitting if they haven’t already. In fact I was startled by the number of books I was setting aside to take back to Vancouver, not because I love them, but because I know someone else would.

On Thursday night, as I waited in the Vancouver airport curled in a chair looking back out over the darkening city, I felt an unfamiliar ache realizing that though I’d only be gone for about three weeks, there were people in that place whom I would miss. And as our plane lowered itself through North Carolina’s clouds the next morning I looked down at the green and the trees and began to cry because I loved them so much, because though practically speaking they grow in clay and soil, they also somehow grow in me.

I’m getting soft in my old age. Or that’s what I thought. And then came today and the boxes of books, and I was reminded that it’s always been such. I was made soft, I think. I can pretend that I am not sentimental, that I operate efficiently and practically, up until something in my soul stubs its toe on or wraps its little finger around a tangible object in some concrete place, and then I’m toast. When I left Caldwell last year, I did not cry on the last day of school, but when, a week later, I realized that a stack of precious final assignments from past students had been inadvertently thrown out in my classroom, I drove to school in a flood of tears at nine pm, to see if I could get to the trash before the cleaning crew did. And I’ve spent the last few weeks working on a series of poems about my grandparents and though they are certainly written in memory of them, to my surprise much of what I wrote is actually about their house, their driveway, their dry summer grass.

It’s things that always get me, I suppose because I feel a kinship with their frailty. They were made with high hopes of being some use, imbued with sacred meaning and purpose, whether small like a safety pin or large like my mother’s PhD dissertation. Perhaps they were loved and valued, and perhaps they show marks of it, but inevitably, eventually, they also show marks of time and age and general thing-ly weariness. And when I was sorting books today the weariness of so many of those cracked spines made their mysterious secrets leak out in glistening dust onto my palms. Because a thing cannot spend too long in the human world, in the flickering shadow of the divine image, without becoming just a bit eternal.

Heartland

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Last Friday, I got home from what turned out to be a whirlwind tour of the American midwest. I was gone for only about a week and a half and in that time managed Dayton (sort of), Chicago, the Iron Range, Minneapolis, Madison, and Indianapolis (kind of).

We drove a lot. I drove a lot. On the days when it wasn’t just me in the car, and I had a back up driver roster one or more family members deep, I spent a lot of time staring at my dad’s big road atlas. I’ve always done this. From the time I was probably seven or eight I spent a lot of time on family trips leaning forward from the cramped back seat of our little minivan and asking for the atlas. It was the way we all avoided “Are we there yet?” Look–here–see for yourself–then you tell me.

For me this habit grew into a love of knowing where I am, of placing myself. I look at the map of where I am, where I’m headed, where I came from, and I trace the blue interstates that connect them like arteries, but once I’ve done that, I still don’t put the atlas down. I’ve learned to go farther afield. And this time around, beginning with British Columbia, of course, I ran my fingers over Canada: the heavy pockets of civilization in the south, thinning out into the stark ranges of the north. (Did you know that not only does Nunavut have no road access in from other provinces, but there is no reliable system of roads between its towns and settlements? Most of it is above the timber line, and you have no choice but to fly in.)

Looking at Canada for very long scared me, though. In a month and a half I am moving to the other side of a notably large continent. The bed I will be sleeping in is just under three thousand miles from the one I’m sleeping in now. I checked. And all that space scares me.

But of course the land that lies between is not just some unknowable, disembodied thing. I can know it–I do know it.

Last Thursday I left friends in Madison to head towards more friends (and my sister) just north of Indianapolis. I spent the first hour or so winding around on back roads in southern Wisconsin, and then glanced down at my phone and realized I had it set on “avoid tolls.” (Despite all my talk about the atlas, Google Maps is just easier when I’m alone.) But I didn’t mind. I accepted my fate even though it would take more gas and more time and once or twice included a gravel road. It was a hot day and the sky was very blue and the cornfields were very green.  For that first stretch, I rarely saw another car and drove on highways with letters for names. The houses and shining metal outbuildings I passed seemed settled in the soil, basking in the sun.

A few times recently I’ve found myself fancifully telling some patient listener that the British countryside (particularly what we walked through in Wales last summer) is the landscape of my soul. But as I drove those summer midwest roads I kept thinking of the commercials I used to see when my Missouri grandma would turn on the news as she cooked dinner, commercials for regional chains like Menards, boomingly announcing their home as America’s Heartland, and I know this seems silly, but for me it is. The midwest is the land of my heart. (I don’t know what this makes North Carolina–the land of my skin, the largest organ, the place I surround myself with? But I digress…)

Of course, the vast majority of my time in the midwest was spent in north central Missouri when my grandparents were still alive, and at no point on this trip did I set foot on its poor-cousin-of-Iowa soil. Instead I wandered through states which I mostly don’t know very well for themselves. But it all felt familiar.

Outside of Dayton my mom and Mary and I took a walk near our hotel and when everything dissolved to rain, we cut back through the parking lot single file, along one curb after another like children, our umbrellas held out for balance under the wide grey sky.

In Chicago we walked around U of C, trying to find the room where my parents first met. We never did find it, which perhaps made poetic sense, because it was called the Nonesuch Room.

The highways we drove were sporadically flanked with those monstrous, calm white windmills, and chains like Culver’s and A&W’s where my grandpa liked to stop to have a chocolate malted for dinner. I had never been down these particular roads before, but they tasted like home and my heart beat to the rhythm of tires on asphalt.

Of course I don’t mean to idealize the Midwest too much. After all, it was at a rest stop in Kansas when I was ten or eleven that I saw a Wanted poster for a sex offender who had escaped from state prison in the area, and then barely slept for the next few nights because I was fearfully processing the existence of human evil, perhaps for the first time. I could still give you a description of the tattoo on his chest. But the presence of wickedness does not negate the perseverance of good, and the heart beats on, yearning–sometimes self-consciously–for redemption.

After I walked out of my classroom for the last time in early June, I went downstairs with my last boxful of papers and books and told my friend that I felt a bit naked. I was leaving behind the teacher, the Miss Hodgkins, in the corner on the floor, and was stepping back out as only Alice. That’s how I left for the Midwest, stripped and small. The original point of the trip was my cousin’s wedding up way north of Duluth and the first night we got there, Mary and I went to the last evening campfire program of teen camp. I enjoyed it more than I thought I would, and we stayed for the whole thing as dusk slowly set in. Along with lots of laborious prize-giving for verses memorized and games won, we sang worship songs, and one in particular, which is notably not a favorite, stuck to my ribs. Every chorus ended with the line “Look to the sky!” And when I looked to the sky my uncomfortable nakedness and exposure, my unsteady weakness made sense. I fit, a small child in an immense and well-worn palm. I was at peace. The next night, I danced barefoot in the grass alongside my siblings and cousins because Joe and Becky were married and the sky was great above us.

I am still anxious when I think of August when I will get on a plane alone and spend a day suspended in the air between two places, but if I look down at those first flyover states I will see a place that has the power to make me calm. A place of ice cream and gravel, of dry bones and rich soil, of green-brown openness fading grey in the twilight, where they look their dead hard in the face before they bury them. It’s a place I know as well as my own breathing, that’s as close to me as the thumping chambers of my own heart.

Die before you die. There is no chance after.

Measurements

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If I were to tell you briefly what I miss most about studenthood, I would tell you that I miss all the measurements. I miss the measurements because back when I had them, they could tell me how I was doing. The grades told me I was doing well, or I was doing alright, or sometimes they told me “Oh no!” The comments I received along with the grades gave me other measuring words: “Excellent analysis” “Adequate reading” “Very poor introduction.” But my favorite was the way that for a student everything, good, adequate, or poor, came to an end: years, semesters, classes, papers, projects. Everything reached a point where it was finished, polished and shiny, ready to become my ancient history. I used to love the moment when they passed out the test and you put your notes under the desk: whether I had studied for fifteen minutes (which was not enough) or three hours (which, frankly, was rare) there was nothing more I could do now. I knew what I knew, and not what I didn’t. I found it easy to be a philosopher when it was up to others to decide the value of my work.

But now it is hard. I have a great deal of freedom in my job, and I am grateful for this, but it means that much of the time I am my own judge, jury, and occasionally executioner. Each day I come in, and for lack of anyone else to constantly measure me, I become the fly on my own wall as I make curriculum decisions, pacing decisions, policy decisions, grading decisions, classroom management decisions. I sit and watch myself, with the good, adequate, and “oh no!” score cards waiting in my hand, as I make second to second decisions about what words and inflection to use with the student I’m speaking to. Oh, I want to do well. I want to do well so badly that I am hard on myself, because how else will I grow? I’m terrified I might end up complacent or even delusional about my own performance. So I come into school each day, saying, “Alright, do better, Alice,” without really knowing what I mean by that. Sometimes I wonder if the standards I ask myself to meet are possible, or even definable. But I never know, because that final test that would tell me never comes.

And if school is bad then summer is worse. It is formless and quiet. By choice I spend a lot of time by myself, left to my own devices. And there’s the rub. Alone, unshowered, on a July Tuesday morning, I sit on my bed, feeling a desperate pressure to accomplish something, without entirely understanding what I mean by that. I know that it is summer, and I am free. Free to do all the things I don’t normally make time for: cook and clean and read and write and walk and talk and put on make up and spend money. The list begins to grow and overwhelm me, the Mr. Knightley I have built out of extra shards of my own conscience says “Badly done!”, and I end up watching Netflix and indulging in a self-loathing which is nothing like rest.

I say all this not to sound dire, but because this is so often the gist of my inner monologue. I want to be told that I’m doing wonderfully, and by a more reliable source than myself, but I also want to be alone, and do things my own way.

So first I must laugh at myself, because that is usually a good way to begin (and beginnings are the best endings).

And second I must repent of more than a little self-aggrandizement. I must repent of the silly belief that even if I cannot be the savior of the world, I can still be the savior of myself. I must remind myself that goodness and growth and learning come not through human effort, but through God’s grace to us.

Last, I must find a new way through. I am not a good measurer of myself, so I must find something else to measure, some other structure to lean on, to tell me the value of the work I am doing. I must hold it up to the cross, I must ask it about joy, I must find if it leads me to worship.

Philosophers have measured mountains,

Fathom’d the depths of seas, of states, and kings,

Walk’d with a staff to heaven, and traced fountains

       But there are two vast, spacious things,

The which to measure it doth more behove:

Yet few there are that sound them; Sin and Love.